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Through interpretations of ancient Venetian glassblowing techniques, mid-century Venini designs, and contemporary color palettes, he creates a juxtaposition of old meets new. His detailed filagree patterns acknowledge the artistry of Burano lace, which dates back to 1528. The egg form is a direct reference to jeweled 18th century Fabergé imperial coronation eggs. In all of his new works, Christian demonstrates his masterful understanding of scale, form, symmetry, and pattern.