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Schantz Galleries Contemporary Glass

3 Elm St
Stockbridge, MA, 01262
413-298-3044

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Schantz Galleries Contemporary Glass

  • Schantz Galleries
  • Artists
  • Architectural Art Installations
  • ARTIST INTERVIEWS
  • PUBLICATIONS
  • About
  • Contact
  • CURRENT CATALOG
Summer Gift, 2021

Jon Kuhn

“In general, my philosophical expression in glass has always been a reflection of my interest in eastern mysticism. In recent years my work has come to focus on the inspiration gathered from personal meditative experiences. For specific subject matter, I also make reference to my interests in architecture, music, mathematics and textiles.

Rhythm, patterns and sequences are the basics of all my compositions. The interior of my work, once revealed through a small window, is now the focus. The surface has disappeared and become less significant. The inside is abstract, complex. There is explosive energy and color. Where there was once only one component, there are now hundreds, usually thousands.

The goal of spirituality is perfection. Striving for perfection has never been more evident in what I do. Perhaps my sculpture has become an architectural model of a vision for a better world."

JON KUHN'S TECHNIQUE –

"I do lots of drawings. Sometimes it's something I see, a building or a textile piece, or a picture in a book. My wife and I have a small collection of fiber and textile art. The pieces are very interesting to me because they are about color and pattern, which is what I do in my work, except that my work is almost like three dimensional weaving. One can also see references to Oriental, Egyptian and Mayan architecture in my work. These are sources I draw on for inspiration and ideas.

The little cubes of core material in my work are made up of glass pieces only 1/8" square. I've developed a technology for producing them in which numerous pieces of colored glass are layered, then cut through, ground and polished. This process is repeated through multiple stages, with the faces ground and polished at every stage. It may take several months to make a one 3" inner cube.

A very clear borosilicate glass is laminated around the exterior of the inner elements, using a proprietary adhesive that dries crystal clear so as to be virtually invisible. More grinding and polishing completes the piece.

Early on, as my work became more complex and time consuming, I found I needed assistants to specialize in gluing, grinding, polishing, etc. Without them, I could not be as creative as I need to be. All these people are like extra hands to me. My assistants are like my tools, or my paint brushes, to help me with my creativity and the application of my ideas."

Born: USA, 1949

MFA, Virginia Commonwealth University, Richmond, 1978

Jon Kuhn is one of the leading artists working in the laminated glass medium in the United States today. Examples of his work may be found in prestigious collections and museums throughout the world, such as the Metropolitan Museum of Art, the Smithsonian Institute, the High Museum in Atlanta, the Milwaukee Art Museum, the Museum Fur Kunst und Gwerbe in Hamburg and the Musee des Arts Decoratif in Lausanne. He has had numerous solo exhibitions in major galleries both in the U.S. and abroad.

In 1993, at the request of President Bill Clinton, Jon Kuhn's "Peaceful Horizon" became part of the White House's Permanent Collection. Jon Kuhn received a BFA from Washburn University, Topeka, Kansas and a MFA from Virginia Commonwealth University, Richmond, Virginia. He has been an independent studio artist since 1978.

SELECTED MUSEUM COLLECTIONS

Asheville Art Museum, North Carolina

Carnegie Museum, Pittsburgh, Pennsylvania

Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin

Chrysler Museum, Norfolk, Virginia

Columbus Museum, Columbus, Georgia

Corning Museum of Glass, New York

Dayton Art Museum, Ohio

Detroit Institute of Art, Michigan

Ebeltoft International Glass Museum, Denmark

High Museum, Atlanta, Georgia

Hsinchu Museum of Cultural Arts, Taiwan

Hunter Museum, Chattanooga, Tennessee

Huntington Museum, West Virginia

M.H. de Young Memorial Museum, San Francisco, California

Mary and Leigh Block Museum of Art, Evanston, Illinois

Metropolitan Museum of Art, New York

Milwaukee Art Museum, Wisconsin

Mint Museum, Charlotte, North Carolina

Mulvane Art Museum, Topeka, Kansas

Musee Des Arts Decoratifs, Lausanne, Switzerland

Museo Del Vidrio, Monterrey, Mexico

Museum Fur Kunst und Gewerbe,

Hamburg, Germany

Naples Art Museum, Florida

National Museum of American Art, Washington, D.C.

Owensboro Museum of Art, Kentucky

Royal Ontario Museum, Toronto, Canada

Smithsonian Institution, Washington, DC

Tampa Museum of Art, Florida

Wheaton American Glass Museum, Millville, New Jersey

White House, Permanent Collection, Washington, D.C.

Jon Kuhn

“In general, my philosophical expression in glass has always been a reflection of my interest in eastern mysticism. In recent years my work has come to focus on the inspiration gathered from personal meditative experiences. For specific subject matter, I also make reference to my interests in architecture, music, mathematics and textiles.

Rhythm, patterns and sequences are the basics of all my compositions. The interior of my work, once revealed through a small window, is now the focus. The surface has disappeared and become less significant. The inside is abstract, complex. There is explosive energy and color. Where there was once only one component, there are now hundreds, usually thousands.

The goal of spirituality is perfection. Striving for perfection has never been more evident in what I do. Perhaps my sculpture has become an architectural model of a vision for a better world."

JON KUHN'S TECHNIQUE –

"I do lots of drawings. Sometimes it's something I see, a building or a textile piece, or a picture in a book. My wife and I have a small collection of fiber and textile art. The pieces are very interesting to me because they are about color and pattern, which is what I do in my work, except that my work is almost like three dimensional weaving. One can also see references to Oriental, Egyptian and Mayan architecture in my work. These are sources I draw on for inspiration and ideas.

The little cubes of core material in my work are made up of glass pieces only 1/8" square. I've developed a technology for producing them in which numerous pieces of colored glass are layered, then cut through, ground and polished. This process is repeated through multiple stages, with the faces ground and polished at every stage. It may take several months to make a one 3" inner cube.

A very clear borosilicate glass is laminated around the exterior of the inner elements, using a proprietary adhesive that dries crystal clear so as to be virtually invisible. More grinding and polishing completes the piece.

Early on, as my work became more complex and time consuming, I found I needed assistants to specialize in gluing, grinding, polishing, etc. Without them, I could not be as creative as I need to be. All these people are like extra hands to me. My assistants are like my tools, or my paint brushes, to help me with my creativity and the application of my ideas."

Born: USA, 1949

MFA, Virginia Commonwealth University, Richmond, 1978

Jon Kuhn is one of the leading artists working in the laminated glass medium in the United States today. Examples of his work may be found in prestigious collections and museums throughout the world, such as the Metropolitan Museum of Art, the Smithsonian Institute, the High Museum in Atlanta, the Milwaukee Art Museum, the Museum Fur Kunst und Gwerbe in Hamburg and the Musee des Arts Decoratif in Lausanne. He has had numerous solo exhibitions in major galleries both in the U.S. and abroad.

In 1993, at the request of President Bill Clinton, Jon Kuhn's "Peaceful Horizon" became part of the White House's Permanent Collection. Jon Kuhn received a BFA from Washburn University, Topeka, Kansas and a MFA from Virginia Commonwealth University, Richmond, Virginia. He has been an independent studio artist since 1978.

SELECTED MUSEUM COLLECTIONS

Asheville Art Museum, North Carolina

Carnegie Museum, Pittsburgh, Pennsylvania

Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin

Chrysler Museum, Norfolk, Virginia

Columbus Museum, Columbus, Georgia

Corning Museum of Glass, New York

Dayton Art Museum, Ohio

Detroit Institute of Art, Michigan

Ebeltoft International Glass Museum, Denmark

High Museum, Atlanta, Georgia

Hsinchu Museum of Cultural Arts, Taiwan

Hunter Museum, Chattanooga, Tennessee

Huntington Museum, West Virginia

M.H. de Young Memorial Museum, San Francisco, California

Mary and Leigh Block Museum of Art, Evanston, Illinois

Metropolitan Museum of Art, New York

Milwaukee Art Museum, Wisconsin

Mint Museum, Charlotte, North Carolina

Mulvane Art Museum, Topeka, Kansas

Musee Des Arts Decoratifs, Lausanne, Switzerland

Museo Del Vidrio, Monterrey, Mexico

Museum Fur Kunst und Gewerbe,

Hamburg, Germany

Naples Art Museum, Florida

National Museum of American Art, Washington, D.C.

Owensboro Museum of Art, Kentucky

Royal Ontario Museum, Toronto, Canada

Smithsonian Institution, Washington, DC

Tampa Museum of Art, Florida

Wheaton American Glass Museum, Millville, New Jersey

White House, Permanent Collection, Washington, D.C.

Universalis, 2018

Universalis, 2018

4 x 7 x 7”

Landscape Studies, 2021

Landscape Studies, 2021

Landscape Studies, 2021

Landscape Studies, 2021

Landscape Studies, 2021

Landscape Studies, 2021

Tremelo, 2018

Tremelo, 2018

Constructed glass sculpture, 14.75 x 7.25 x 10.25"

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Schantz Galleries, 3 Elm Street, Stockbridge, MA 01262 (413) 298-3044