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Philip Baldwin (1947) and Monica Guggisberg (1955), have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass.
Over time their work has developed its own distinctive signature, based in Italian cold -working « battuto » combined with the Swedish overlay process for layering colors. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Color, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines.
Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning.
In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral in 2018, and more recently The Glasmuseum Ebeltoft in Denmark 2020-2021) increasingly reflect their concerns for the shared world of our times, highlighting some of the challenges while continuing to express their love for beauty in form and object.
They now live and work in rural Wales.
Philip Baldwin (1947) and Monica Guggisberg (1955), have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass.
Over time their work has developed its own distinctive signature, based in Italian cold -working « battuto » combined with the Swedish overlay process for layering colors. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Color, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines.
Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning.
In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral in 2018, and more recently The Glasmuseum Ebeltoft in Denmark 2020-2021) increasingly reflect their concerns for the shared world of our times, highlighting some of the challenges while continuing to express their love for beauty in form and object.
They now live and work in rural Wales.
Amphore Metaphore, 2022
Free -blown and coldworked glass, metal. 68.9 x 181.1 x 8.66"
Provenance: Fort Wayne Museum, From Antiquity to the Inevitable: Work from Baldwin and Guggisberg in Wales 2015 to 2025,. August 09, 2025 - November 16, 2025
Amphore Metaphore
Amphore Metaphore, (Detail 1)
Amphore Metaphore (Detail 2)
Balance in Dark Shades, 2025
Blown, underlay, cut, metal, assembled. 47.24 x 35.43 x 3.54"
Provenance: Fort Wayne Museum, From Antiquity to the Inevitable: Work from Baldwin and Guggisberg in Wales 2015 to 2025,. August 09, 2025 - November 16, 2025
Meteors for Our Time, 2020
Blown, underlay, cut, metal, assembled. 70.87 x 35.43 x 4.72"
Provenance: Fort Wayne Museum, From Antiquity to the Inevitable: Work from Baldwin and Guggisberg in Wales 2015 to 2025,. August 09, 2025 - November 16, 2025
Meteors for our Time, (Detail)
Meteors for our Time, (Detail 2)
Multicultural Hope, 2017
Free blown, incalmo, coldworked on diamond lathe, metal, sand, assembled. 23.62 x 59.06 x 18.5"
Provenance: Fort Wayne Museum
Species Novae Group, 2018
Blown, underlay, Incalmo technique, cut. 19.8 X 6.7", 30 X 6", 24 X 6"
Provenance: Fort Wayne Museum
Summer Memories, #135, 2020
Blown, under and overlay, incalmo, cut. 23.62 x 6.89"
Provenance: Fort Wayne Museum
Summer Memories, #137, 2020
Blown, under and overlay, incalmo, cut. 22.8 × 5.3 "
Provenance: Fort Wayne Museum
The Emerald Harappan, 1992
Blown, under and overlays, cut. 18.10 x 11.25"
Provenance: Fort Wayne Museum
Amphorae AM030, 2022
Blown, under and overlays, cut. 18.31 x 9.65"
Provenance: Fort Wayne Museum
The Red Tinted Amphore, 2021
Blown, under and overlays, cut. 25.6 x 8.7"
Provenance: Fort Wayne Museum
Monolithi Humani: Two to Tango, 2014
Free-blown glass, satinated, assembled.
37.5 x 8.25", 41.35 x 5.9"
Provenance: Fort Wayne Museum
Mondrian's Mobile, 2006
Blown, underlay, cut, metal, assembled. 108.27 x 70.87 x 13.78"
Provenance: Fort Wayne Museum